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IAPLC 2011 World Ranking 16 ‘Lake Breeze’

World Ranking No.16Aquascaper: Timucin SagelCountry: TURKEYAquascape Title: Lake BreezeSize: W100 x D45 x H35 (cm)Evaluation:Even among mountainous layout with a use of many stones, this draws attention in terms of stage effect. The expression of perspective by arrangement of stones and rolling of substrate is very impressive. Some people may find back screen with clouds…

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IAPLC 2011 World Ranking 17 ‘Simba’s Peak’

World Ranking No.17Aquascaper: K.P. WongCountry: HONG KONGAquascape Title: Simba’s PeakSize: W150 x D50 x H55 (cm)Evaluation:This is a Japanese garden style layout with thicket of nicely trimmed stemmed plants. The use of mosses is also very good, and it matches well with rock arrangement and white sand. The creator has an extraordinary color sense, including…

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IAPLC 2011 World Ranking 18 ‘Years of Solitude’

World Ranking No.18Aquascaper: Luis Carlos GalarragaCountry: BRAZILAquascape Title: Years of SolitudeSize: W100 x D45 x H45 (cm)Evaluation:The contrast of red and green color draws eyes. Both color thickets are composed by arranging several species of stemmed plants, and layout looks more attractive. The drawback is the weak presence of fish. The open space in the…

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IAPLC 2011 World Ranking 19 ‘When Viewing a Forest’

World Ranking No.19Aquascaper: Toshifumi WatanabeCountry: JAPANAquascape Title: When Viewing a ForestSize: W90 x D45 x H45 (cm)Evaluation:The contrast of red and green color draws eyes. Both color thickets are composed by arranging several species of stemmed plants, and layout looks more attractive. The drawback is the weak presence of fish. The open space in the…

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IAPLC 2011 World Ranking 20 ‘Lost’

World Ranking No.20Aquascaper: Robert OeiCountry: SINGAPOREAquascape Title: LostSize: W90 x D45 x H45 (cm)Evaluation:This is a unique composition layout with nicely arranged stones and driftwood. Rock walls like a cut are designed in both sides of the foreground, and a space leads to the left side of the background. These arrangements emphasized the perspective. The…

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