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IAPLC 2011 World Ranking 8 ‘Great Nature on the Desk’

World Ranking No.8Aquascaper: Yuji YoshinagaCountry: JAPANAquascape Title: Great Nature on the DeskSize: W45 x D24 x H16 (cm)Evaluation:This is a mountainous layout in a 45cm wide flat aquarium tank. Utilizing asperity and white band of Ryuoh Stone, the creator succeeded to make a large scale layout in a small size tank. The plant arrangement is…

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IAPLC 2011 World Ranking 9 ‘Pillar Cliff Glory’

World Ranking No.9Aquascaper: Wai Hung Tony WongCountry: HONG KONGAquascape Title: Pillar Cliff GlorySize: W120 x D45 x H45 (cm)Evaluation:This is a concave composition layout produced in a 120cm panoramic size aquarium tank. Cosmetic sand in the center emphasized the perspective, and the color and texture of stones matches well with bright color aquatic plants. It…

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IAPLC 2011 World Ranking 10 ‘Time of Coloration’

World Ranking No.10Aquascaper: Eriko KannoCountry: JAPANAquascape Title: Time of ColorationSize: W90 x D45 x H45 (cm)Evaluation:Well maintained thickets of plants draw gentle curves, and many layers of such curves made a unique layout style. A part of Ryuoh Stone is exposed, but surface of stones should be hidden in such a fantastic layout. Open space…

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IAPLC 2011 World Ranking 11 ‘Gentle Breeze’

World Ranking No.11Aquascaper: Hidekazu TsukijiCountry: JAPANAquascape Title: Gentle BreezeSize: W120 x D45 x H45 (cm)Evaluation:A large size stone sticking out from the water surface draws eyes. The stone’s impact is very strong, but when observing in details, some people may find the arrangement rough. The use of mosses and spreading of cosmetic sand even in…

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IAPLC 2011 World Ranking 12 ‘The Heart of Paradise’

World Ranking No.12Aquascaper: May KwanCountry: HONG KONGAquascape Title: The Heart of ParadiseSize: W150 x D50 x H55 (cm)Evaluation:The use of stones expressing the perspective and spatial gentle slopes of greens is very impressive. But the aquarium silicone seal of back corners stand out clearly, and this undermines the beauty of layout. It is advisable to…

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